Earlier this evening, we were watching BBC Cardiff Singer of the World, a sort of ‘Eurovision song contest for posh people’, as Shana put it 🙂 when Shana, having glanced at the screen for a moment in the middle of a fraught hand of Lexicon, suddenly remarked (indicating a burly chanteuse) ‘I bet she’d make a good lead singer in one of those Wagnerian epics.’
‘Brunnhilde?’ I suggested. To which Shana immediately agreed.
And then my comedy brain cells sprang to life. ‘Wouldn’t it be amusing,’ I said, ‘to make a Wagnerian Ring cycle style of opera telling the story of a fearless adventurer who set off in search of the perfect pint of ale, and of all the characters and ne’er-do-wells he met during his quest. It could be titled “The Return of the Rover” and the lead female role would be called Brunnhilde Ogden! Obviously, to retain a Teutonic feel to the proceedings, she would have to live on Coronation Strasse, and there would be enigmatic references throughout to a mysterious ‘Muriel’, and a backstory about three ducks pinned to a wall. They probably come alive as Austrian princesses or something in the final act.’
Shana, as usual, looked at me askance.
Then I wished I hadn’t started the plot synopsis at all. I reckon I’d need at least a thousand old envelopes on the back of which I’d need to scribble it all down. Maybe best stick to part-time waffling eh? Apparently it’s what I’m best at 🙂